Traditional Dance as the Way to Understand the Culture Essay -- Cultur

â€Å"Dance has no language†- it is often said at the concerts and festivals. Indeed, in order to understand the beauty of the dance and what dancers want to express you do not need to know particular language, so Kazakhs, Russians, Koreans, Germans, Chinese etc. will perceive dance performance in the same way. Traditional dance involves not only dance performance, but traditional national music, costumes and attributes as well. So, through the traditional folk dances people can get acquainted with one or another’s culture. However, according to Bridget Rose Nolan (2008, 8) the nature of the traditional dances are very complex, and the question about to what extent such dances are traditional is arguable. She states that â€Å"dance is arguably one of the hardest forms of cultural expression to pass from one person to another unchanged, let alone from one generation to another through hundreds of years†. As Brennan (1999, 15)said â€Å"dance is, by its nature, ephemeral†. Brennan points that traditional dance itself underwent the process of evolution. Nevertheless, culture is learnt, so it can be changed and it changes slightly from one generation to another, and traditional dance as a part of culture changes as well. This will not be the eradication of culture. Therefore modern traditional dances can be regarded as part of culture and they can be considered as the way to understand particular culture. This paper is focused on this way, to be precisely, how traditional dances affect the understanding of culture. Firstly, the research problem will be described. Then essay will proceed to the description of the practical part, particularly, of the fieldwork, methods and expectations of the participant observation. Furthermore, there will be an an... ...ered that choreography students do not identify with any culture, including their own one, during the dance performance. So, the expectations about the changes in the behavior by the influence of the folk costumes and attributes were met, though the expectations about the feelings of the other cultures were not met. Therefore, folk dances can present culture of the particular folk, but the performances of the folk dances not always involve the understanding of the culture. Bibliography Brennan, H. The Story of Irish Dance. Ireland: Mount Eagle Publications, 1999. Haviland, William A., Harald E.L. Prins, Bunny McBride, and Dana Walrath. Cultural Anthropology: The Human Challenge. Wadsworth Publishing, 2011. Nolan, B.R. "Tradition, Modernity, and Authenticity in Riverdance." American Sociological Association Annual Meeting. Boston, 2008. 1-17. Traditional Dance as the Way to Understand the Culture Essay -- Cultur â€Å"Dance has no language†- it is often said at the concerts and festivals. Indeed, in order to understand the beauty of the dance and what dancers want to express you do not need to know particular language, so Kazakhs, Russians, Koreans, Germans, Chinese etc. will perceive dance performance in the same way. Traditional dance involves not only dance performance, but traditional national music, costumes and attributes as well. So, through the traditional folk dances people can get acquainted with one or another’s culture. However, according to Bridget Rose Nolan (2008, 8) the nature of the traditional dances are very complex, and the question about to what extent such dances are traditional is arguable. She states that â€Å"dance is arguably one of the hardest forms of cultural expression to pass from one person to another unchanged, let alone from one generation to another through hundreds of years†. As Brennan (1999, 15)said â€Å"dance is, by its nature, ephemeral†. Brennan points that traditional dance itself underwent the process of evolution. Nevertheless, culture is learnt, so it can be changed and it changes slightly from one generation to another, and traditional dance as a part of culture changes as well. This will not be the eradication of culture. Therefore modern traditional dances can be regarded as part of culture and they can be considered as the way to understand particular culture. This paper is focused on this way, to be precisely, how traditional dances affect the understanding of culture. Firstly, the research problem will be described. Then essay will proceed to the description of the practical part, particularly, of the fieldwork, methods and expectations of the participant observation. Furthermore, there will be an an... ...ered that choreography students do not identify with any culture, including their own one, during the dance performance. So, the expectations about the changes in the behavior by the influence of the folk costumes and attributes were met, though the expectations about the feelings of the other cultures were not met. Therefore, folk dances can present culture of the particular folk, but the performances of the folk dances not always involve the understanding of the culture. Bibliography Brennan, H. The Story of Irish Dance. Ireland: Mount Eagle Publications, 1999. Haviland, William A., Harald E.L. Prins, Bunny McBride, and Dana Walrath. Cultural Anthropology: The Human Challenge. Wadsworth Publishing, 2011. Nolan, B.R. "Tradition, Modernity, and Authenticity in Riverdance." American Sociological Association Annual Meeting. Boston, 2008. 1-17.

Granting Finance and Non-Fund Based Limits Essay

For the purpose of granting finance, banks are lending by way of fund based limits as well as non fund based limits. The following are treated as fund based limits: a) Lock and key type – against of pledge of goods; b) Open factory type pledge or open key advance – against hypothecation of goods; c) Advance against hypothecation of goods; d) Advance against book debts; e) Advance against bills. The following are considered as non fund based limits granted by the banks to the public: Letter of credit and bank guarantees: Banks normally undertake a proper appraisal of the financial standing and requirement of the customer for non fund based facilities as in the case of fund based ones. This is because though the bank in the case of non funded facility, commits itself to pay only in the event of non-payment by or non performance of the customer, the possibility of the given non-funded credit facility resolving into real or funded credit facility on the customer’s default or non performance cannot be ruled out. Letter of credit: A letter of credit is a written undertaking given by a bank on behalf of its customer who is a buyer, to the supplied, promising to pay a certain sum of money provided the supplier complies with the terms and conditions embodied in the letter of credit. A letter of credit is required where the supplier of goods and services deals with unknown parties or otherwise feels the need to safeguard his interest. In such circumstances he stipulates in his sales contract with the buyer that the goods will be supplied and payment made only under a bank’s letter of credit. Under a bank’s letter of credit a conditional commitment to make the payment is made by the bank which gives an assurance to the supplier that he will receive the necessary payment provided he does what the buyer requires him to do, within the time period specified in that regard. Whereas in the case of fund based limits, the banks deal with goods, in the case of letter of credits, they deal with documents and not in goods and the transactions are executed only on the basis of the documents. The letter of credit is an autonomous transaction quite distinct from the sale and purchase on which it may be based. The bank issuing the letter of credit has to make up its mind within a reasonable time on receipt of the documents whether to accept or reject them. Normally the letter of credits issued the banks are governed by the Uniform customs and practice for documentary credits of the International Chamber of Commerce situated at Paris. Reference: http://classof1.com/homework-help/finance-homework-help/

The Dark Knight Movie Review

The movie â€Å"Dark Knight† is a grandiose, strange and dark piece of work of Hollywood. Although the film is overhyped and lasts too long, it is still highly entertaining and must be seen exclusively on the vast Imax screen! When watching the very first shot of the dizzying skyscrapers and minuscule streets, I wasn’t breathing for a couple of seconds getting ready to dive into a new illusory world. The movie â€Å"Dark Knight† is the continuation of the Batman story created by the British director Christopher Nolan. The film plot takes the story up to his confrontation with well known Joker, who is brilliantly played by Heath Ledger. His whiteface make-up makes him look like a sad Pagliaccio of crime. Anyone who wishes to compare him with Jack Nicholson should think twice though their Jokers are of absolutely different nature: Jack Nicholson plays Joker from comics, Heath Ledger, however, was able to show us this genius of crime and chaos as he would look like if he somehow got to exist in our reality. One should mention that Ledger is highly talented at all his kinks, tics, quirks and twitches! The caped crusader is again played by famous Christian Bale, who’s clanking around in his Batmobile so military and macho-looking!  As the action begins, the audience realizes that in Gotham city Batman is still a highly important figure. People in the city still approach this vigilante because â€Å"he is the Batman†. And here’s one more reason to refer to the hero – a new crime fighter is in the city! Played by Aaron Eckhart, a handsome attorney Harvey Dent truly believes that the rule of the law must be upheld by a democratically accountable individual, not some unknown figure of the night. Besides that, Harvey starts dating Batman’s beloved one – Rachel Dawes (Maggie Gyllenhaal). To my mind, the most bizarre moment in the film comes when the Joker abducts some unfortunate from the Gotham psychiatric hospital in order to â€Å"impersonate† the first love of Batman. This is what I call the joke of sophistication, hatred and lack of taste! Actually, everything that is going on in the movie is of a mental nature. It’s not that there is no action in the â€Å"Dark Knight†, but even when the main hero is racing through the Gotham streets in his incredible gadgets, it is still the psychology of what is happening pushes the whole movie plot. Due to that, all the problems that the director faced with when working on the â€Å"Batman Begins† are absent in the â€Å"Dark Knight†. There are no complicated and extended fight scenes in the film for the reason that it simply does not need them. What really makes the â€Å"Dark Knight† action so arresting is the solid force of will that stands behind it as well as the philosophical fight that is driving it. Without a doubt, you will be on the edge of the seat every moment in the process – be it a simple conversation at the office of Bruce Wayne or a scene in a Hong Kong skyscraper. Nothing is wasted in the Nolan’s work! There’s not a second or a minute in the â€Å"Dark Knight† movie that does not fit into a deeper, bigger and broader picture. That fits everything, along the way the famous director has filmed it. With all this in mind, I am free to state that the â€Å"Dark Knight† movie deserved nothing less than good old Imax. Without a doubt, the massive box-office success of the â€Å"Dark Knight† movie has provided its director Christopher Nolan with the required means to create his own cheque. I really hope that Nolan will make use of this chance to cultivate works that are more maneuverable than that retro Batmobile.